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Lisin, lisin (母親信仰)

By Szu Shihmin




   


    Lisin is the name of Szu Shihmin's mother, which also means belief.
   
    土地是孕育整個家族與記憶的母親。讓生命的起伏都有了價值,台灣的母島精神,血脈相連的是靈與肉不分離....無論走到了哪裡⋯⋯牽引著你的是母胎的記憶,古調是不再熟悉卻揮之不去那鄉愁的記憶...悲傷中有某種能量在支撐,必須站起來往前邁出。卻也無能為力的墜落,獨自面對著土地嘆息,這一刻完全 體現出來。努力維持著平衡,在身體墜落拾起間,不間斷的面臨。 在不可避免的災難中,也承襲著上千年的約定,如同父親堅持信仰般持續著。


Creator and performer: Szu Shihmin
Dancer: Wang Yi-Wen
Videographer and photographer: Zhengzhang Guo, Bowei Chen



    taboeh a ’oebay tataysi’ is the name of SaySiyat . As a child of a SaySiyat father and an Pangcah mother, Shihmin explores the connection of his body with indigenous culture and cosmology.
    靈魂、信仰、tatini’(祖先) 關係著某種跳動,某種擴張的律動,強烈意義上的、意向的律動。遠處銅鈴開始響起,向天湖祭場,月光下擺盪著臀鈴聲響,彷彿連結著來自世間萬物的問候。 遠遠地,用那無法割捨的目光望著,直入靈魂深處,而那是無法承受的,他跳了出去,原來那是通往永恆的世界。 就在那裡,若即若離、擴張、折疊、攤開、彎曲、發出迴響。是一種迫切感的身體,一種身體的思想。回到舞蹈的最原初,那是身體的記憶,是土地與信仰的交織。

Creator and performer: Szu Shihmin
Videographer and photographer: Zhengzhang Guo, Bowei Chen





Live Performances







About Szu Shihmin - 絲釋民 - taboeh a ‘obey tatasi’




    國立台北藝術大學舞蹈研究所,中国文化大学舞蹈系。父親賽夏族,母親阿美族,以多元的肢體特色跨界創作與演出,自身追尋舞蹈的過程中,靠著內心不變的堅持。用舞蹈訴說自身的生命呈現想要說的話,每一個肢體的呈現,就像是一幅抽象藝術作品,充滿著無限寬廣的想像空間。


  • 舞蹈創作:2022 《Linis linis 母親信仰》2021「Pa‘inrowa’翻轉-賽夏青年的迴返」 創作《賽夏・迴返》2021「身即部落」扎根在流動中的原住民 當代藝術 創作《母親・信仰》2020 「Phpah 藝術聚-Mtukuy 播種者計畫」創作 《忠魂・終魂》

受邀參與法雅歌劇-經典西班牙劇作擔任 El Amor Brujo 擔任獨舞者男主角,高雄新古典室內樂 《給 NK 的十行詩》獨舞,長榮交響樂團巡迴_台積電專場音樂會,Pulima 藝術節『播種者計劃』駐村藝術家。 太古踏舞團向大師致敬林秀偉經典作品《無盡胎藏》,福爾摩沙芭蕾舞團《門》《悸動》、精靈幻舞舞團《天際獻》《他與他們的N次方》。薛喻鮮獨立製作客席編舞、舞者《我在春天生》《回家飛 2》台北歌劇合唱團 《Lucia di Lammermoor》 《Duke Bluebeard`s Castle》 《琴劇》 、原民台紀錄短片專訪拍攝計畫《悸動的舞》,水水劇場節《劇場很有市》,《南非》,美國《猶他藝術節》、荷蘭藝術節、比利時藝術節。
    Studying at School of Dance, Taipei National University of the Arts, Shihmin is a child of a Saysiyat father and an Amis mother, taboeh a ‘obey tatasi’ (SzuShih-min) employs a rich body language in his border-crossing creation andperformance. He persists in his artistic pursuit, communicates with dance, andexpresses his internal world. His physical expressions are like abstractartwork, leaving the audience ample room for imagination.
  • Choreography:2022 “Linis linis” (Mother, Faith)2021 “SaySiyat lobin” (Saysiyat Returns), part of the festival “Pa’inrowa’”2021 “Linis linis” (Mother, Faith), part of the festival “I Am My Tribe:Aborigines Rooted in Flux”2020 “Loyal Soul, Final Soul,” part of the festival “Phpah Arts Mtukuy Project”
  • Performance:He was invited to solo in “El Amor Brujo,” a classic Spanish ballet by Manuelde Falla and in the Neo-Classical Chamber Ensemble’s “A Poem in Ten Linesto NK.” He was visiting artist in the “Mtukuy Project” at the Pulima Festival,and performed with Evergreen Symphony Orchestra at the TSMC show, withTai Gu Tales Dance Theatre in “The Back of Beyond,” with Formosa Ballet in“The Door” and “Shivers,” with Genio Dance Group in “Skyline” and “He and NPower of Him,” with Hsueh Yu Hsien in “Born in Spring” and “Flight Home II,”and with Taipei Opera Chorus in “Lucia di Lammermoor,” “Duke Bluebeard’sCastle” and “The Zither.” He appeared in the documentary “Shivers” aired onTaiwan Indigenous Television and in “Busy Market” and “South Africa”performed at the Water Theatre Festival. He participated at arts festivals inUnited States, the Netherlands, and Belgium.